I Love More Than Two Loves uses the quilt as a structure for compressing image, surface, warmth, and bodily scale. The works begin from a memory of blankets brought from Korea to New Zealand: thick, quilted objects in which cover, filling, pattern, and insulation were held together as a single form.

Made from bathmats, curtains, fleece, sleeping bags, synthetic textiles, paint, and spray, the works bring together materials associated with domestic use, comfort, and protection. These surfaces are cut, layered, stitched, painted, and reassembled into large-scale floor-based compositions. Images are treated as material rather than illustration; they are enlarged, fragmented, obscured, and absorbed into the quilted surface.

The forms derive from small drawings of objects from the home, later enlarged through printing and pattern-making. As they shift in scale, they become bodily and architectural, suggesting bedding, terrain, interiors, maps, and bodies at rest.

Placed directly on the floor, the quilts occupy a space between painting and object. Their low horizontal orientation gives them a physical relationship to the body, the ground, and the domestic interior. Through softness, pressure, layering, and compression, the works approach home as something material: touched, used, altered, and remade.